MARY! MARY!

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Published 5 years ago

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More Great Retro Hardcore

Published by wslover317

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sweet_little_Elke 3 months ago

Lohn Leslie. I've never seen a dirthier cock as Leslies.

ILoveBigBush 5 months ago

Could have been one of the greats, but, inexplicably, no cumshots during orgy which takes up the whole second half of the movie.

chelms38 5 months ago

Sexy women with tasty pussies, especially Constance mmmmm.

JJsexPlane 9 months ago

Stellar

sstamer 9 months ago

Sexcellent, thanx a lot

Bistud 1 year ago

Leslie had some life…imagine all the off camera orgies he attended

darknh 1 year ago

Sandy Pinney is one of my all time fave actresses from that era. She’s the blonde who gives John Leslie the blowjob to completion under the table. 😉

Cockamamiehedgehog 1 year ago

Next time try crediting the source instead of just plagiarizing it.
https://youtu.be/XXOO67y6ekU

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darknh 1 year ago

Thanks for the info 👍🏾

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venomlegions2 1 year ago

One of only a handful of films Money made in the aftermath of her success in the Radley Metzger film, MARY! MARY! is classy looking – with attractive photography by Henning Schellerup, one of a number of technicians whose seventies work would encompass Sunn Classics documentaries like IN SEARCH OF HISTORIC JESUS as well as exploitation (KISS OF THE TARANTULA) and softcore/hardcore works – but it is fairly unambitious. When Money is onscreen, the camera loves her, particularly during the opening underwater shots in which the camera seems to be trying to probe her nether regions when Leslie's head is not in the way. The cast perform with gusto in the sex scenes and the few character bits they are allowed, and what entertainment value the film has is largely dependent on the cast rather than the attempts at comedy from the admittedly impressively-staged car crash to the undercranked foot chase. The Arranger is presented for much of the film as a silhouette doing what looks like Tai Chi against the sunset, and then looks more silly than sinister dancing around the guests as they couple separately and then arrange themselves in various chain positions before they each meet their fates through a series of solarized opticals. One and done director Bernard Morris also takes separate credit for action sequences.